Yanira Vissepo learned traditional Japan woodblock printing during several residencies in Echizen, a village with a 1,500-year history of papermaking. She returned in the fall of 2025 to further developed her practice of water-based woodblock printing, deepening her engagement with material, process, and ritual.
Reflecting on her time in Echizen, Vissepo notes: “The paper village was part of my everyday life -- walking to Otaki Shrine to say hello to the paper goddess. Studio discipline became a central focus, and bringing that rigor back into this body of work felt like kismet: Puerto Rico, Tennessee, and Japan living together in memory paintings. Water is my friend -- the sun on my face, leaves turning and speaking to me, whispering hello, waking up to see the sky for the first time, again.”